scaramouche: Hudson Leick as Callisto, winking (callisto wink)
Annie D ([personal profile] scaramouche) wrote2025-11-04 09:55 am

The Starry Night, the Starry Sea (2)

The funniest thing about watching* The Starry Night, the Starry Sea season 2 on youtube was following the comments. At the start, most of the comments were the same kind I'd been seeing on the Filipino teleseryes I've also been watching on youtube, i.e. excited comments of people who are watching the first time, supportive comments about how much they love the show and/or its actors, "who's still watching this in [year]", those kinds of simple things.

But over time.... ho boy! I don't know exactly when it happened, but there was a period where the positive comments slowly thinned out and then an outright tonal shift into majority frustration and complaints, because:

  • The Female Lead, who was introduced as spunky and rebellious against social norms for women's roles and crossdressed in order to pursue her dreams, turned into a weeping, helpless heroine whose only recourse to having any sort of agency is to cry and beg;

  • Which contrasts even more unfavourably with a side character who continues to be spirited and stubborn to stand up for what's right through the whole show;

  • Also the singular central conflict of the entire show is a long misunderstanding due to a single villain character who dies before getting any sort of comeuppance or realization. A long con by a villain may be typical, but there's usually other subplots and the conflict itself has its starts and stops, instead of a single pressing weight of stress that gets worse and worse as EVERYONE falls for the lies put into a place by a single mastermind. There's no storytelling rhythm to it, just frustration.


(*watching = I skipped a lot, especially towards the end when people kept dying and there was no catharsis.)

As for me, I thought the show was indeed frustrating for the same reasons, but I knew it would have a tragic ending from the beginning because it's a prequel! Obviously it's going to end badly. But I think most viewers did not and hoped that all that suffering would be rewarded by peace and happiness instead of a last minute rugpull of death. I think the uploader saw that wall of rage coming so they went and UNLISTED the final episode for the show outright.

The episode is still up, but I had to find it through someone else's playlist instead of their own channel. Which is, you know, fair enough if they don't want to get swarmed with negativity (not that they have to read it, but I understand). But that still made me go šŸ‘€
jesse_the_k: That text in red Futura Bold Condensed (be aware of invisibility)
Jesse the K ([personal profile] jesse_the_k) wrote in [community profile] access_fandom2025-11-03 02:26 pm

Marissa Lingen's Writing Workshop Processing Vertigo

Marissa Lingen ([personal profile] mrissa here) is a disabled SF writer. She’s been publishing short stories since 2001—over 200 so far. Most of her work is quite short, and I’m delighted at how her subtle implications generate detailed worlds and relationships.

Her disability experience informs her work. One of my faves is ā€œA Pilgrimage to the God of High Placesā€, free to read in print or in audio at Beneath Ceaseless Skies. Like the author, the viewpoint character has vertigo.

Her monthly newsletter alerted me that she’s

leading a writing workshop where people can process their vertigo experiences through the written word.

FREE
23 November 2025 1700 GMT
must register in advance or more info
ar220@st-andrews.ac.uk

FULL DETAILS:
https://dateful.com/eventlink/1965359842

She’s eager to spread the word to people directly or indirectly affected by vertigo—please share the Dateful link far and wide.


Free Story, Essay & Interview

links and excerpts )

scaramouche: "Bomb on Bus" in print, from Speed (bomb on bus)
Annie D ([personal profile] scaramouche) wrote2025-11-03 09:05 am
Entry tags:

Book Log: Fuck Yeah Video Games

Ahhhh remember when FuckYeah[Thing] was everywhere in the fannish parlance?

Anyway some years back I was an avid watcher of [youtube.com profile] NerdCubed's youtube channel, because as someone with horrible hand-eye coordination I found his irreverent skill and enjoyment at taking video games to their absurd limit really fun, and such LPs as I still remember for "Bully", "Shadow of the Colossus", "Psychonauts", "Outer Wilds" and one of the Jurassic Park games where you can actually build a theme park (and the raptors kept escaping, which enraged him to no end). These days I still have him subscribed but don't watch him as often, as there's way more content I follow now.

Regardless, back when he announced that he'd written a book, I ordered it as a way to say thank you for all those hours of entertainment, which is why I have a copy of Daniel Hardcastle's Fuck Yeah Videogames. It is, in my opinion, near incomprehensible if you don't already know Daniel and his brand of humour, as it is an irreverent list of various video games he loves and some he does not, the history ("history", in places) of various video consoles, plus a healthy dollop of semi memoir in the little stories he tells about himself, his family and friends, in explaining the way various video games make him feel. It's less a book and more like longform stand up in text form, I think. Maybe the audio version would be better, as someone who's enjoyed his rambling, but in text form I found it a bit tiresome.

At the back he lists his 100 favourite games of all time and I was shocked to see Outer Wilds was not there (he introduced me to the game!). Then I checked, and oh the game came out in 2019 and he finished writing the book in 2018, which explains it.
jesse_the_k: Pixar's Dory, the adventurous fish with a brain injury (dain bramage)
Jesse the K ([personal profile] jesse_the_k) wrote in [community profile] access_fandom2025-11-01 02:11 pm

ā€œDatefulā€ Simplifies Timing Online Events

My cognitive impairments mean I always mess up time zones. I’ve participated in many events in the past five years. Only one managed to sense my current time zone and adjust all the info on their site to match. (And of course I can't remember which one it was.)

Which is why I love https://dateful.com. It’s an excellent tool when you’re communicating across time zones. It’s free. It features:

  • Time Zone Converter: convert between major world cities and timezones instantly as you type
  • World Clock: up to 20 clocks to see how the rest of the world can participate in your event
  • Time Calculator: adds and subtracts times, dates, and durations

And best of all:

  • Eventlink: create a link that converts an event’s time to the user’s current time zone and day. You can add an event title, description, and URL (meeting link or a web page), and you can offer an ā€œadd to my calendarā€ which works with Apple, Google, and Outlook.

All that info in a single link. You don’t need an account, but if you create one, you can go back and edit your Eventlinks.

I’m able to do these things with the keyboard; I welcome insights from readers using adaptive technology.

scaramouche: The Garnet logo from The Genius (Korea) TV show (the genius)
Annie D ([personal profile] scaramouche) wrote2025-11-01 02:36 pm

Crime Scene Zero

I've made my way through two different versions of this post before discarding most of the content and starting over. What happened was, I finished watching Crime Scene Zero, had mostly negative reactions and wrote that up, then started rewatching Crime Scene from season 1 and realized that hey, season 1 was not that great either so my feelings must be biased due to nostalgia goggles, but then I went through my favourites of season 2 and recalibrated again so here we are.

My most recent simplified conclusion is that Crime Scene Zero was fine overall, as I really enjoyed two episodes, was mostly positive on one, and didn't like two. (For reasons to get into shortly.) This seemed like a bad ratio until I rewatched bits of seasons 1 and 2, and realized that because those seasons had 10 and 13 cases each, compared to Zero's 5 cases, they FELT better because there were more cases I enjoyed, when the actual ratio of % per season enjoyed is similar to Returns and Zero.

Important to note that BOOOOOO, Hong Jin-ho didn't come back AT ALL, for either Return or Zero. He was an original cast member! Jin-ho, why! He probably has reasons, but I am still sad. But to my surprise, he has been in multiple episodes of Running Man, which I stopped watching ages ago, so maybe I'll.... find those..... maybe. I would've thought that Running Man isn't his style, but what do I know about the vagaries of reality TV celebs.

Haha I got thoughts. )
jesse_the_k: Metal disk nailed in sidewalk reads "survey marker do not remove" (Survey marker)
Jesse the K ([personal profile] jesse_the_k) wrote in [community profile] access_fandom2025-10-29 06:05 pm

We're part of a movement: The Electrical Eggs

When I started working on WisCon access in 2007, some kind soul (name lost) gave me a black teeshirt printed in tactile gold--with both Latin letters and braille. It sang the praises of ELECTRICAL EGGS, who advocated for handicap accessibility in the 1970s and 1980s. I loved the shirt but didn't know their history.

So I was thrilled when the September 2025 Canadian Journal of Disability Studies, volume 14 number 2, starts off with Eric Vero's article:

Oral History of The Electrical Eggs: Science Fiction, Disability Activism, and Fan Conventions

https://cjds.uwaterloo.ca/index.php/cjds/article/view/1262

The journal offers PDF, HTML, and "simplified HTML" versions of each article; all are open access, peer-reviewed, and Creative Commons licensed CC BY-NC-ND 4.0.

ABSTRACT

Before the Americans with Disabilities Act was enacted in 1990, American science fiction fans in southern states organized, collaborated, and practiced accessibility at conventions. This grassroots movement began with the work of Samanda B. Jeude and a coalition of other science fiction fans who fought for visibility and access to convention spaces. In this oral history of their organization, ā€œThe Electrical Eggs,ā€ I interview two key members decades after their participation in making conventions accessible. I complement these oral sources with brief histories of the role of eugenics and ableism in science fiction and the rise of disability activism in America. Although, the science fiction fandom still faces historical forces like ableism that have been present since its beginnings, the work of the Eggs is a testament to the power of collective action to provide accessibility in fan communities.

WIL WHEATON dot NET ([syndicated profile] wwdn_feed) wrote2025-10-29 05:31 pm

It’s Storytime with Wil Wheaton – The Dark House

Posted by Wil

And we’re back! My podcast, It’s Storytime With Wil Wheaton, returns today with a spooky story to celebrate the spooky season.

This week, it’s The Dark House, by AC Wise.

A photographer’s obsession with an unsettled subject exposes two friends to a darkness that won’t be contained by frames…

It’s so good! I had a great time narrating it.

If you’re interested, take a look at my Patreon for a feed with no ads and a bunch of cool behind the scenes extras. If you subscribe before 5pm Pacific tomorrow, you can watch me do a live reading of The Legend of Sleepy Hollow.

Oh! And starting today, you can get most of the Patreon stuff through your Apple account with Apple Subscriptions, if you prefer to do it that way.

I love that I get to do this, and it means more to me than you know that so many of y’all tune in and love it with me.

I’m around all day today, and I’ll be checking in here if anyone wants to talk about the show.

scaramouche: Kerry Ellis as Elphaba from Wicked (elphaba reaching)
Annie D ([personal profile] scaramouche) wrote2025-10-29 01:28 pm

Book Log: Goddesses, Whores, Wives & Slaves

I read Sarah B. Pomeroy's Goddesses, Whores, Wives & Slaves, which explores what daily life was for women of classical Greece and Republic Rome based on the thin historical record, plays, poetry and so on, for the purpose of illuminating an otherwise ignored or invisible faction of society. What rights did they have or not have, how were they viewed by and treated by the men who had power over them, what were the gender essentialist turned institutional mechanisms used to control them, and so on. Pomeroy argues that evolution towards increasing freedoms isn't a-given, with her analysis that ancient Greece had more freedoms for women, then a tightening of those freedoms after wartime and a reduction of the male population, then more relaxation of freedoms into the Hellenistic era.

I admit, although the topic itself is interesting to me, I found the prose hella dry and the style tough to get through at points. But then I realized that the book was published in 1975, during a very different time of historical scholarship! I still find it dry and heavy-handed in places, but I can appreciate the groundbreaking feminist view of analysis, and the necessity of spelling things out clearly in order to argue against common perception of the time, even if it's tiresome to read now. Particularly enjoyed Pomeroy mentioning her male historian predecessors who made assumptions about women's attitudes back then due to the societal blinders they had about the women of their own time (eg. assuming women are happy with their lot).

One thing I will take away from the book with the glee is the description of how in ancient Athens, high class women were kept secluded at home and away from the eyes of men who weren't family, with exceptions to go outside behind a veil. That is... the purdah. Ancient Athens, birthplace of the modern concept of democracy, practised the purdah, the same way medieval Arabia did. (Low class women and slaves were allowed to go about freely without the veil, same as in medival Arabia.) That's rather funny, I think!
soc_puppet: Dreamsheep, its wool colored black and shot through with five diagonal colored lines (red, yellow, white, blue, and green, from left to right), the design from Dreamwidth user capri0mni's Disability Pride flag. The Dreamwidth logo is in red, yellow, white, blue, and green, echoing the stripes. (Disability Pride)
Socchan ([personal profile] soc_puppet) wrote in [community profile] access_fandom2025-10-28 08:50 pm

Bare Bones Convention Accessibility Timeline

Between a friend contacting me a couple of weeks ago for help setting up Accessibility at the new con he joined, and just tonight hearing about the absolute bullshit that's been going on at TwitchCon (no ramp for their Guest of Honor wheelchair user to get up to the raised stage to receive an award, third year in a row with no ramps for him as a GoH), I figure I may as well share this here.

It's far from perfect, since I'm still almost entirely self-taught, and I built it on the convention I used to run Accessibility for, so there's some stuff that's not exactly universal, but hopefully it'll help someone out there!

Convention Accessibility Timeline and Jobs )

This is far from perfect and from comprehensive both, but if you work on Accessibility for a convention, or are looking to get started doing so, hopefully you can use this as a sort of template to build around or tweak to your needs. Suggestions in the comments are very welcome, though I don't know if I'll be up to incorporating them into the post. Questions are also very welcome; I'll do my best to answer how I dealt with things, but anyone who wants to is free to chime in!

I've got more info to share as well, but I'm going to hold off on that for another post or two, as this one wore me out a bit already šŸ˜‚

Edit: For clarity, since I was just overthinking it: This isn't a comprehensive list of services that were provided at the convention I worked; it's just a behind-the-scenes look at how I was involved in setting up some of the services we provided. (Plus some that I never got around to, like the ASL interpreters and Braille documents šŸ¤¦ā€ā™€ļø) If you want inspiration for that, I suggest looking around for convention Accessibility Policies. Those should list out the various accessibility measures that a given convention has in place.